the new school's college of performing arts launches the philip glass institute, a landmark partnership celebrating glass's indelible contributions to art and culture

Lisa Bielawa to be inaugural Composer-in-Residence and Chief Curator of the Institute

The Philip Glass Ensemble will also debut as Ensemble-in-Residence at The New School with a concert on January 6th, 2019 at 4:30 pm.

L-R: Philip Glass Ensemble, Photo by Ryuhei Shindo; Philip Glass, Photo by Steve Pyke

New York, December 5, 2018 – The New School’s College of Performing Arts (CoPA) today announced a landmark partnership with the Philip Glass Ensemble (PGE) and long-time PGE member, Lisa Bielawa, around the work of Philip Glass, one of the world’s preeminent composers, musicians, and authors, to form a new learning and creative center. Building on Glass’s enduring contributions to modern culture, the Philip Glass Institute (PGI) will offer students, faculty, and the public the opportunity to immerse themselves in the work of Philip Glass, other important artists within his circle, and the work of the iconic Philip Glass Ensemble. Renowned composer and long-time vocalist for the PGE Lisa Bielawa will become the inaugural Composer-in-Residence and Chief Curator of the Philip Glass Institute.

The institute will launch with a performance by the Philip Glass Ensemble and a panel discussion with Glass, Bielawa, and Richard Kessler, Executive Dean of CoPA on January 6, 2019 at 4:30 pm, at The New School’s Tishman Auditorium. The event will also include a performance of an excerpt from Bielawa’s made-for-TV opera, Vireo, which will be workshopped for live performance at the Institute in spring 2020.

Peerless in his originality as a composer and musician, Glass’s work has been instrumental in breaking down barriers across genres. His work includes the groundbreaking opera Einstein on the Beach, Music in Twelve Parts, and Academy Award-nominated scores for three films. Glass has captivated audiences worldwide with his bold artistic vision, which fuses a truly original musical language and an unparalleled collaborative practice, all in a singular entrepreneurial spirit.

The idea for the Philip Glass Institute originated between Glass and Bielawa, who both felt that The New School would be the ideal setting for such an institute. Subsequently, Bielawa approached Kessler about the future of the Philip Glass Ensemble, Philip’s legacy, the continuation of his work, along with her own work, and how this all might work together under a single umbrella. Both Kessler and Bielawa were struck by the ways in which Glass has built community throughout his career, a practice that Bielawa has honored in her own work and life as well. Together, Glass, Bielawa, and Kessler were drawn toward creating an institute to further that ethos.

“I can think of no better home for the Philip Glass Institute and the Philip Glass Ensemble than The New School’s College of Performing Arts,” said Kessler. “Over the past century, The New School has been a home to John Cage, Henry Cowell, Martha Graham, Aaron Copland, the Fluxus Movement, and scores of trailblazing artists and scholars. Today, the original, highly influential, and beloved work of Philip Glass will become accessible for a long time to come to new generations of students and audiences through this exciting new partnership.”

“I am very pleased about the Philip Glass Institute at The New School,” Glass said. “My own legacy flourished in a wide garden of music going on all at the same time. In my lifetime I was contemporaneous with all kinds of music, and I rejoiced in it...In terms of range and variety of modern music, it is important to be unafflicted by prejudice. The music stands by itself. At the new PGI we can prioritize a curriculum which doesn’t require critical approval of any period or style...Young composers need to be true to their voices. 'Coming up' can be very independent, and this is what will be guiding our work at The New School.”

As the inaugural Composer-in-Residence and Chief Curator of the Philip Glass Institute, Bielawa will serve not just to preserve Glass’s legacy, but to further it by creating new works, curating concerts, and creating new courses and curricula that build on the ethos and vision of Philip Glass. Bielawa, an award-winning multidisciplinary artist-composer, is a 2009 Rome Prize winner in Musical Composition and recipient of the 2017 Music Award from the American Academy of Arts & Letters.

“It is a huge honor and pleasure to spearhead this new initiative at The New School, which has a long history of charting new territory in the way that artists share their work and lives with the next generation,” said Bielawa. “The Philip Glass Institute is a new and lasting way to celebrate Philip’s ethos: an NYC incubator for the sharing of ideas, among a multi-generational community of composers, performers, and music industry professionals.”

The Philip Glass Institute at The New School will create new learning opportunities rooted in Glass’s contributions to modern musical and cultural life. Students across CoPA’s three schools — Mannes School of Music, School of Jazz and Contemporary Music, and School of Drama — will learn composition, sound design, musicology, and arts management, among other disciplines, from members of the Philip Glass Ensemble and CoPA faculty who are frequent collaborators with Glass, including Matt Haimovitz, Jennifer Koh, Bob Hurwitz, and Dennis Russell Davies.

As Ensemble in Residence, the Philip Glass Ensemble will base its extensive touring and performance operations out of The New School. Recognized as the premier performers of Glass’s compositions, the Ensemble has been exclusively devoted to performing Glass’s iconic works in some of the world's most prestigious music festivals and concert venues. At The New School, the group will integrate its rigorous practice-performance methodology into CoPA’s innovative curriculum, hosting workshops, leading masterclasses, and welcoming the public to select rehearsals. This first-of-its-kind residency at CoPA will be instrumental in preparing students to succeed in the 21st century musical landscape.

Philip Glass Institute Launch Event
Sunday, January 6, 2019, 4:30-5:30pm
The New School’s Tishman Auditorium
63 5th Ave., New York, NY 10003
Admission is free, RSVPs required. RSVP here.
Press RSVPs: Will Wilbur – wilburw@newschool.edu

The Philip Glass Institute will launch with a performance by the Philip Glass Ensemble and a panel discussion with Philip Glass; Lisa Bielawa, Composer-in-Residence and Chief Curator of the Philip Glass Institute; and Richard Kessler, Executive Dean of The New School’s College of Performing Arts. The event will also include a performance of an excerpt from Bielawa’s made-for-TV opera, Vireo, which will be workshopped for live performance at the institute in spring 2020.


The Philip Glass Ensemble
Established by composer Philip Glass, the Philip Glass Ensemble (PGE) held its first performance in May 1969 at the Whitney Museum of American Art in New York City. Since its inception, the Ensemble has been exclusively devoted to performing Glass's iconic works. The members of the PGE are recognized as the premier performers of Philip Glass's compositions and the group has performed on four continents in some of the world's most prestigious music festivals and concert venues.
 
The PGE is continuing into the future as a performing and educating organization, exclusively performing Philip Glass's catalog of music written or arranged for the PGE, using the authentic performance practice that the members of the Ensemble have developed over their decades of touring and recording with Glass. The Ensemble is eager to help the next generation of musicians learn this tradition during their touring activities and at their home base in New York City.

Philip Glass
Born in Baltimore, Maryland, Philip Glass is a graduate of the University of Chicago and the Juilliard School. In the early 1960s, Glass spent two years of intensive study in Paris with Nadia Boulanger and, while there, earned money by transcribing Ravi Shankar’s Indian music into Western notation. By 1974, Glass had a number of innovative projects creating a large collection of new music for The Philip Glass Ensemble and for the Mabou Mines Theater Company. This period culminated in Music in Twelve Parts and the landmark opera Einstein on the Beach, for which he collaborated with Robert Wilson. Since Einstein, Glass has expanded his repertoire to include music for opera, dance, theater, chamber ensemble, orchestra and film. His scores have received Academy Award nominations (Kundun, The Hours, Notes on a Scandal) and a Golden Globe (The Truman Show). In the past few years several new works were unveiled including an opera on the death of Walt Disney, The Perfect American (co-commissioned by Teatro Real, Madrid and the English National Opera), a new touring production of Einstein, the publication of Glass’s memoir, Words Without Music, by Liveright Books, and the premiere of the revised version of Glass’ opera Appomattox, in collaboration with librettist Christopher Hampton, by the Washington National Opera in November 2015.

Glass celebrated his 80th birthday on January 31, 2017 with the world premiere of Symphony No. 11 at Carnegie Hall. His 80th birthday season featured programming around the globe, including the U.S. premieres of operas The Trial and The Perfect American, and world premieres of several new works, including Piano Concerto No. 3, String Quartet No. 8, and Glass’ first Piano Quintet.

In 2015, Glass received the U.S. National Medal of Arts and the 11th Glenn Gould Prize. He was honored with the Richard and Barbara Debs Composer’s Chair from Carnegie Hall for the 2017-2018 season. Glass will receive the 41st Kennedy Center Honors in December 2018.

On January 10th, 2019, the Los Angeles Philharmonic will present the world premiere of Glass’ Symphony No. 12, based on David Bowie’s album Lodger and a completion of three symphonies based on Bowie’s Berlin Trilogy. Glass continues to perform solo piano and chamber music evenings with world renowned musicians, and regularly appears with the Philip Glass Ensemble.

Lisa Bielawa
Composer-vocalist Lisa Bielawa is a 2009 Rome Prize winner in Musical Composition. She takes inspiration for her work from literary sources and close artistic collaborations. The New York Times describes her music as, “ruminative, pointillistic and harmonically slightly tart.” She is the recipient of the 2017 Music Award from the American Academy of Arts & Letters, and she received a 2018 Los Angeles Area Emmy nomination for her unprecedented, made-for-TV-and-online opera Vireo: The Spiritual Biography of a Witch's Accuser. Bielawa began touring as the vocalist with the Philip Glass Ensemble in 1992, and in 1997 co-founded the MATA Festival with Philip Glass and Eleonor Sandresky, which celebrates the work of young composers. Bielawa served as Artistic Director of the San Francisco Girls Chorus from 2013-2018 and recently completed her residency at Grand Central Art Center in Santa Ana, California. She was named a William Randolph Hearst Visiting Artist Fellow at the American Antiquarian Society for 2018. Her discography includes albums on the Tzadik, TROY, Innova, BMOP/sound, Orange Mountain Music and Sono Luminus labels. For more information, please visit www.lisabielawa.net.

The College of Performing Arts at The New School was formed in the fall of 2015, bringing together Mannes School of Music, the iconic 100-year-old conservatory; the legendary New School for Jazz and Contemporary Music, and the innovative and ground-breaking School of Drama. With each school contributing its unique culture of excellence, the College of Performing Arts creates opportunities for cross-disciplinary collaboration, innovative education, and world-class performances. As part of the formation of The College, Mannes has moved into the newly renovated Arnhold Hall in Greenwich Village, a state-of-the-art facility designed especially for the performing arts. Also housed in Arnhold Hall are The School of Jazz and the School of Drama’s BFA program. As a part of The New School, students and faculty across the College of Performing Arts experience a supportive and rigorous environment with enhanced opportunities to collaborate with colleagues in a wide array of disciplines, from the visual arts and fashion design, to the social sciences, to public policy and advocacy, and more. CoPA has over 900 degree and diploma seeking students, including a variety of programs at the undergraduate and graduate level, as well as Mannes Prep, a pre-college program with 400 students.

The New School:
Will Wilbur
212-229-5667 x 3990
wilburw@newschool.edu

For Lisa Bielawa:
Christina Jensen
646-536-7864 x1 
christina@jensenartists.com


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PRESS RELEASE

Media Contacts:

The New School:
Will Wilbur
212-229-5667 x 3990
wilburw@newschool.edu

For Lisa Bielawa:
Christina Jensen
646-536-7864 x1 
christina@jensenartists.com


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