NEW YORK, December 18, 2019 – The New School's Mannes School of Music, a part of the College of Performing Arts, announces a six-performance run of a newly commissioned experimental opera, The Art of Change, by renowned composer Jean-Baptiste Barrière.
The Art of Change fuses live performance and philosophy together into a new kind of work that is equal parts opera, performance art, and salon-like gathering of socially conscious artists and thinkers. Improvisation, collective authoring, and spontaneity take center stage in The Art of Change. With software designed by Barrière to capture the melodic and rhythmic pattern of speech, live spoken and pre-recorded dialogue is recorded, processed, and turned into a spontaneously generated score that is interpreted and performed on the fly.
The Art of Change assembles a cast of celebrated performers and thinkers, like Joan La Barbara and Simon Critchley together on stage with College of Performing Arts students who are singers, instrumentalists, and actors. Together, the cast seeks to explore the very notion of change and begins with the question, “what needs to change in the world today”.
The libretto, by philosopher and New School Associate Professor of Philosophy Chiara Bottici, is the result of a shared process in which an initial text was developed through an open-source process that unfolded on Public Seminar – an online journal of ideas, politics and culture supported by The New School. The libretto begins with a synopsis that places the audience and performers within a city that has decided to radically re-organize itself “by adopting the principle of accelerated change and apply it to all and every aspect of social life. The result is a utopian (or dystopian) world that may (or may not) turn out to be ours.”
The Art of Change is a continuation of Mannes’ mission to commission, present, and perform new, experimental, and forgotten works. Other recent work in this area includes the first ever collegiate production of Robert Ashley’s Dust (2017), the world premiere of Julius Eastman’s Symphony No. 2 (2018), and the world premiere of Johanna Beyer’s Cyrnab 2019).
When:
January 16th, 8pm
January 17th, 5pm & 8pm
January 18th, 5pm & 8pm
January 21st, 8pm
Where:
Ernst C Stiefel Concert Hall at Arnhold Hall (55 West 13th Street, 4th floor)
Tickets:
The performances are free, please RSVP here.
Creative team:
Jean-Baptiste Barrière, Concept, Video Design & Composition
Chiara Bottici, Libretto
Ashley Tata, Stage Direction
Timo Rissanen, Costume Design
Abigail Hoke-Brady, Lighting Design
Thomas Goepfer, Sound & Video Design
Camilla Hoitenga, Flutes Solo
Levy Lorenzo, Creative Technologist, Percussion
Guest artists:
January 16: Simon Critchley, philosopher and Joan La Barbara, musician
January 17: Cinzia Arruzza, philosopher and Rebekah Heller, musician
January 18: Dmitri Nikulin, philosopher and Ross Karre musician
January 21: Jamieson Webster, psychoanalyst and Joan La Barbara, musician
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